Friday, September 9, 2011
Always looking up: In memoriam
Thursday, September 8, 2011
A visit from God
Hey Rob:
What it look like. Holding up okay? Yeah, I got your messages. You'll be fine. Hang in there.
No, I don't know why no one ever thought to just ask me why I let bad things happen to America like disasters and tragedies and stuff. I mean, I'm right here. You'd think they'd just hit me up. But no, they never send me anything. No event invitations on Facebook, nothing. Whatever. Yeah, I'm sure Pat Robertson and Michele Bachmann know what I'm thinking better than I do. That's not insulting or anything.
Anyways, here's everything I can remember. There's been a lot of stuff going on since I created you little monkeys. And you are monkeys. But don't get me started on that, either.
Why I Let Bad Things Happen To America, a list by God
---Civil War: Wanted America to resolve its bitter white/black racial divide and concentrate on hating those dirty yellow Chinee
San Francisco Earthquake: Furious over lack of gays
Spanish Flu: Trying to wipe out the Spanish, not sure what happened there
Great Depression: Decided to take a "hands-off" approach to Wall Street
Attack on Pearl Harbor: Misguided attempt to impress Veronica Lake
JFK Assassination: Wanted to distract everyone from having accidentally killed Marilyn Monroe (me, not JFK)
Vietnam: Don't remember; acid comedown
Watergate: Nixon kept that one a secret from me, which is actually kind of impressive
Space Shuttle Challenger disaster: Just kind of pissy that day
L.A. riots: Koreans overcharged me for a bottle of Crystal Pepsi
Columbine massacre: Trying to make Marilyn Manson look dangerous again after that horrible "glam" period
9/11: Not nearly enough country music on the radio
Hurricane Katrina: Massive, unprecedented PR deal with NFL
Great Recession: Dick Cheney starts cleaning his gun in front of you, you don't ask questions, my friend
There you go! That's all I can remember offhand. Not what you expected, but remember, my ways are mysterious to behold, yadda yadda yadda. As everything goes downhill, I'll be sure and keep you posted.
Psych! Come on. You know better than that. And tell everybody to not be such a nation of whiners, while you're at it. You should have seen the shit I used to pull on Europe.
Stay up, playa.
God
The Almighty / Maker of Heaven and Earth / Creator of all that is Seen and Unseen
Heaven, The Firmament
>> Check out my blog! epicbeardgod.tumblr.com
Wednesday, September 7, 2011
Who's at the party?
An updated guide to social networking
Several of you may remember this adorable little bit of fanart floating around the webs a few years ago, called "Internet University Cast":
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Hey you! Cutie! Did you hear about that thing? Tumblr did! And she's here to talk about it! This is a party y'all, there's no time for deep and thoughtful discussion. She's also got ADHD, which is why she is just stopping off here by the kitchen long enough to freshen her drink and ask you if you saw last night's Glee, or that HP gif, or that Marilyn Monroe quote, or... hang on, brb. HEY YOU!
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Tuesday, September 6, 2011
Review: Lil Wayne, "Tha Carter IV"
Lil Wayne
Young Money, Cash Money, Universal Republic
08.29.11
This might not mean much to Young Tune's legion of fans, most of whom like him for the attitude no matter how he expresses it. (Although you can almost hear them, drunk off their douche asses, trying to explain a line like "Real Gs move in silence like lasagna.") They might want go back, though. and listen to the impressive array of guest stars, from Tech N9ne, Rick Ross, Shyne, Nas, Busta Rhymes, and an (uncredited) Andre 3000, all ostensibly brought on board to praise The Best Rapper Alive, and all of whom end up burying him with superior rhymes. When it comes to the intro and some of the interludes, Weezy doesn't even bother to show up. Should you?..and in this corner of the rap octagon stands Weezy, one of the last survivors in what used to pass as hip-hop, the Cash Money Millionaire no one would ever have picked as the breakout star, much less the biggest seller in the business. Lil' Wayne's secret superpower has always been his unselfconsciousness, his utter inability to be (or see) anything other than what he is. As a geto businessman, he understands that rap became everybody's business about 15 years ago, and so he makes music directly aimed at the frat party and the club and the teenage girl's iPod as well as the hood. For this, he's been vilified by hip-hop fans who miss the point: Mr. Crazy Flow takes not giving a shit to a whole new level, and his other secret weapon -- that amazing flow, bolstered by a tighter grip on his stream of consciousness than any rapper, ever -- means he can be whatever he wants.
As long as he keeps that flow, that is. Like a troubled fourth installment in a winning franchise, Tha Carter IV finds Wayne tired of his own formula, and not sure how to break back out. It's not that he doesn't have the backdrop: the leadoff single, last winter's "6 Foot 7 Foot," positions itself as the official "A Milli" update and does just fine that way. (We now know who Cool and Dre were saving all those beats for when they kept them from Game's comeback.) But when the Dirty South killer Jay-Z himself touted as his lyrical heir gets stranded in a minefield of hashtag raps, marking time until the anthem comes back around, something's wrong. Frankly, he sounded more engaged on his last couple of mixtapes. Maybe the pressure's getting to him.
Or, as he himself suggested in interviews, maybe he's ready to quit the game. The reused metaphors, lame puns, and shallow philosophy on IV seem to bear this out: "All I had to do was put two and two together / But that just makes four, but not 'four-ever'" is the closest he comes to an insight on love, and his big disses are on the order of "You faker than some titties/You get titty-fucked." No less than three times does he remind us that the "F" in "Weezy F" stands for "Fuck you." Tired, tired, tired. (III's "You see I handle mine / I dismantle mine / I told her, tool box, bitch it's hammertime" turns into "Unload nigga / reload nigga / tools on deck / Home Depot nigga.")
Graded using the Third Eye Method:
Impact: 70. The beats are still tight. If they don't pay too much attention at the party, you can make this pass.
Invention: 54. The ballads are mediocre as usual, the pop stuff is reliably shiny, and there are no emo rock moves. But you can get more experimentation (and more payoff) on the free Sorry 4 the Wait mixtape.
Integrity: 58. ...in fact, given that Lil Wayne's mixtapes are looser and more street by definition, you should just retreat there until he reworks Carter V.